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Weekend round-up: From Estonia to Ester Peony

by | Feb 17, 2019

Weekend round-up: From Estonia to Ester Peony

by | Feb 17, 2019 | Eurovision, Featured |

There’s no such thing as a quiet Saturday during the Eurovision national final season, but there’s always one week when things get particularly hectic – and in 2019, that was last night. While six countries held semi-finals on the way to deciding their entry for this year’s contest, there were no fewer than four finals for fans to choose between. Like everyone in the online ESC fan community, we set up shop in our #esc chat all night long, juggling the various webstreams and voting on as many of the songs as possible along the way. It was a lot of fun, but it’s easy to lose sight of what actually happened. So who’s heading to Tel Aviv in May?

Thanks to timezones and scheduling, the first part of the Eesti Laul final in Estonia was free from clashes with other finals. Our favourite in the chat was the old-school charm of “Soovide puu” by Sandra Nurmsalu, which failed to reach the superfinal (that never happens to a chat fave). Instead, the superfinal was an all-male affair. Stefan (“Without You”) and Uku Suviste (“Pretty Little Liar”) put up a decent fight, but despite the jury’s best efforts to prevent him from making the final three in the first place, the televote fell head over heels in love with Swedish import Victor Crone and his song “Storm”.

With two finals beginning at 20 CET, there was a decision to make, and most of our chatters went with Croatia and the return of the legendary national final format Dora. (We’re nostalgic like that.) A lot of the fansphere seemed indifferent to it, but we really enjoyed the Croatian final, sending no fewer than six (!) songs from it into the next heat of our SongHunt. Our chat favourite, “Indigo” by Domenica, was largely ignored by the juries and televoters alike – but despite the cheesy performance involving a huge pair of wings (songwriter Jacques Houdek not being known for understatement), we were quite fond of the eventual winner too. “The Dream”, performed by teenager Roko Blažević, will be hoping to make it three qualifications out of four for Croatia since the country’s return to ESC in 2016.

Poor Raiven. She keeps getting so close to representing Slovenia at the Eurovision Song Contest, and the ticket keeps getting snatched away from her at the last minute. Following a painfully close second place in 2016 and a slightly more distant third in 2017, this year broadcaster RTV Slovenija tried to make things as easy as possible by sending her song “Kaos” – also our chat’s favourite, albeit on a countback – into a televote-only head-to-head with “Sebi” (“Oneself”) by Zala Kralj & Gašper Šantl, an incredibly introverted piece of electropop that felt more like a losing Portuguese semi-finalist than something that would come from Slovenia. So of course the Slovenian public duly gave Zala and Gašper a landslide victory. Raiven, if you’re interested, we hear the San Marino entry can be yours for the right price…

The fourth final of the night, Latvia, fell through the gaps in our chat somewhat because of the schedule clash. That’s a shame, because the first years of the Supernova format were a real favourite of ours, particularly when the heats took place on a quiet Sunday night after a heavy weekend of national final action (and with the now-legendary Rīgas Bebrs interludes). In keeping with doing things on the quiet this year, Latvia went and made an interesting choice for ESC 2019, the calm and unassuming “That Night” by Carousel – which feels like the kind of song that could land just about anywhere on the scoreboard.

Speaking of Sunday shows after a busy Super Saturday, the weekend concluded with the national final in Romania. Having been preceded by two semi-finals, there was a wide assumption that this would be a head-to-head duel between Laura Bretan and Bella Santiago, with the former in pole position – though with a system where each of the six jurors had the same weighting as the entire televote (!), anything was possible. And so it proved, as Laura and Bella had to give way to Ester Peony and “On A Sunday”, a song all about the day when Romania holds its national finals. Despite finishing just 8th in the televote, Ester had the jurors firmly on her side, so she is the person tasked with returning Romania to the ESC grand final following their first ever non-qualification last year.

And now we get to breathe for a few days, go on a crash diet to recover from all the wine and crisps we consume every single Super Saturday, and reconvene on Friday for the national final in Germany – always a very watchable bit of television. Why not join us in the #esc chat and share the moment with us?

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 escgo! on Twitter

British viewers: "The UK came last? It's all politics! Everyone hates us! Brexit!"

Also British viewers: "Well of course we're not going to *listen* to our own entry, it's rubbish"

UK chart positions for this year's #Eurovision entries:

61. KEiiNo "Spirit In The Sky" 🇳🇴
67. Duncan Laurence "Arcade" 🇳🇱
73. Mahmood "Soldi" 🇮🇹

https://t.co/dAdrhV6xrH

Messing up the Belarus jury vote and having to revise the entire final result? Here's another fine mess EBU've gotten us into...

We have questions.

https://t.co/i8pI0nE4sx

#Eurovision

Well hey - our ChatVote had North Macedonia in 7th place, so this is just the EBU catching up with our chatters, right...? 🤷‍♀️

https://t.co/wBK6p6cWeE

We know it's been doing the rounds already, but seriously: one of *the* best moments of #Eurovision 2019 and it wasn't even in the show. 😍

https://t.co/fvLbLADbtr

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