We attended the Blue Carpet event in Lisbon on Sunday, and we’re happy to share our photos of the artists from the first semi-final with you. Enjoy!

Aisel from Azerbaijan

Ári from Iceland

Eugent from Albania

Sennek from Belgium

Mikolas from the Czech Republic

Ieva from Lithuania

Netta from Israel

Alekseev from Belarus

Elina from Estonia

Equinox from Bulgaria

Eye Cue from Macedonia

Franka from Croatia

Cesár from Austria

Yianna from Greece

Saara from Finland

Sevak from Armenia

ZiBBZ from Switzerland

Ryan from Ireland

Eleni from Cyprus

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Uff, hello from Lisbon! A few things went wrong here and there in the past two days, so I’m very sorry that there’ve been no new updates for quite a while. Being alone here with an F accreditation is already quite restricting, and I’ve also felt really unwell since yesterday morning (exhaustion basically) so decided to reduce my activities to a minimum, i.e. attending the Blue Carpet event, which is always a favourite – but I’ll write more about later!

Now, where were we?

On Saturday, I was walking around beautiful Alfama, a part of Lisbon in which medieval buildings survived the earthquake of 1755, which destroyed most parts of the city. Eurovision isn’t just about Eurovision when it’s hosted in a beautiful city like Lisbon.

Alfama

Later on the same day, I was attending the Israeli party, which had a massive queue in front of the location where we kept standing and queueing for nearly an hour. At least I got a free hug. We heard rumours that we might have trouble to get in with our OGAE cards, but in the end it all worked out fine and we had a really good time there. We saw the acts from Iceland, Finland, Ireland, San Marino, Denmark, Georgia and Poland perform (I’m sure I forgot some), and of course Israel’s Netta.

San Marino performing at the Israeli Party

Denmark’s Rasmussen was being original by not performing on stage, but Viking-style unplugged in the middle of the crowd on the floor, surrounded by smartphones pointing at him. I was a bit too far a way to join these, but it was very effective and stood out from all the other acts. Still, he can’t do that in the actual shows.

My Sunday turned out slightly different to what I planned. Originally, I wanted to see the rehearsals of the finalists, then go to the Blue Carpet, then to Euroclub. But already on Saturday I felt like I needed to slow down (brother), so I stayed at home, and it was good that I did exactly that, as I was starting to feel really unwell around lunchtime yesterday. I wasn’t sure whether I would be able to do the Blue Carpet, especially considering that it’s very hot and sunny (which is a good thing generally, don’t get me wrong!), but thanks to the Eurovision gods, the fan area was under the roof of MAAT (Museum of Art, Architecture and Technology), so I could take it easy in the chilly shade and follow the delegations as they were making their way along the Blue Carpet.

It all was staged in the most spectacular scenery that I can remember for any other Blue, Red or Pink Carpet, with a stunning view of Ponte 25 de Abril. I managed to get photos of all the artists (bar Russia and the Netherlands – unintentionally, honest!) and will post them later today (those of semi-final 1), on Wednesday (semi-final 2) and on Friday (the six finalists), but for now here are some general impressions from the event:

As I’m still not feeling great, I will take things step by step for now, but I’ll try to be at the jury final tonight and live-tweet about crowd reactions and vocal performances from the Altice Arena as half of the votes for tomorrow’s second semi-final are already cast today. Stay tuned!

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Hello from Lisbon!

This Saturday morning began with a shock moment: Just when I was about to leave and pack my bag, I couldn’t find the second lens for my camera. I went full drama queen and was already trying to call the reception, when I finally found it in my room after all. So, I was running uphill to catch my low-frequency shuttle bus to the Altice Arena (got it in the last second), as I didn’t want to miss the first rehearsal:

Russia. And what can I say? Nothing works here, apart from the support vocalists. This doesn’t feel like those top-notch Russian stage shows that we are used to, it’s probably the weakest complete package that Russia has ever delivered in the contest’s history. Interesting side note: Julia gets brought on stage already sitting on the top of her mountain. When asked at the press conference about what she wants the audience to feel during the song, she simply responded that the song is “about everyone.” Hmm.

I myself had my lunch break in the lovely restaurant by the water, as you can see above (nearby the Russian delegation – minus Julia – whose HoD celebrates his birthday today). I was still fascinated about Moldova‘s show at this point. It will enter Eurovision’s “Choreography Hall of Fame” with ease, in one line with Bucks Fizz and Brotherhood of Man. This is the entry that will get the most attention from TV viewers in both shows it’s participating in, and we might even get Chisinau 2019, as it’s just so captivating and entertaining that you can’t take your eyes off the screen for a second. A Kirkorov masterpiece, top 5 for sure.

I also saw a bit of Georgia, which was quite static, and I never like the use of red on stage, especially not in the combination with black clothes. Vocally it was fine, but the whole staging is way too generic to sell the song. Non-qualifier.

I called it a day at the venue after my lunch break and went for a lovely walk through the park (see below), and finally my anticipated ride with the cable car, which gave me a stunning view of the Altice Arena:

Now I’ll pay another visit to the city – it’s finally summer here, and in true Eurovision style, that calls for a costume change. Later tonight it’s the Israeli party, very much looking forward to that!

More about that tomorrow – until then, lots of Lisbon love from Felix

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Hello from Lisbon!

It’s been my first proper day here, having got my first actual impressions of the host city earlier on. Once my little city trip was over, I paid a short visit to Altice Arena, where I got an idea about Romania, Serbia, San Marino, Denmark, Portugal and unfortunately only a hint of the United Kingdom

My highlight of the day was clearly San Marino, which I watched in full in the hall. Oh, San Marino. First, one of the robots holds a sign “This is just a rehearsal”. Later in the song, he holds a sign “Justice for Valentina!”. And it doesn’t stop there: The performance was actually good. Vocally strong, in tune, and most importantly: Adorable and very approachable because the complete package isn’t perfect. We’re not watching a Swedish entry here, with human robots; we’re watching robots and humans. Guilty pleasure? Not only that, it’s actually also a quite good song, I think. Sure, the rapping part is questionable, but in general, San Marino adds so much lightweight, honest fun and colour into this dark and heavy 2018 contest. So much so that I even begin to believe it will qualify, and maybe even do very well in the final. You heard it here first, San Marino will win.

And the robot was also a star in the press conference:

San Marobot

What else can be said about those few rehearsals that I got to see? Denmark was a bit out of tune here and there, but will surely find a lot of fans who will vote for it. I won’t, though I have a relatively neutral attitude about this one. Portugal was hard to judge as the volume in the fan tent was too low. However, Barbara Dex would be proud of the main singer. I only saw SuRie from the United Kingdom before the song began, so I can’t say anything about her performance, but her white dress and the pink/blue neon bulb rectangles behind her looked very promising.

And with that, it’s off to finally do some partying!

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As anyone who ever lived in Cologne would say:

“Et es wie et es, et kütt wie et kütt, un et hätt noch emmer joot jejange.”

That’s Cologne dialect for “It’s how it is, it will be like it is, and it has always worked out fine in the end.” It’s time for me to adopt this relaxed attitude now.

If you know me well, you’ll know I did live in Cologne before, and if you know me very well, you’ll know that I am the least flexible person in the world. One of my best developed typical German quirks is the fact that I have a compulsive disorder that forces me to do plan everything into the last detail, and try to stick to my schemes and plans… and obviously I fail, when my German organisation craze collides with the situation that we face here.

So, step 1: Delete the plans, and do what you can do, Step 2: Just roll with it, that’s how you write a blog!

Now my takeaway food is cold, because I focused on the introduction for way too long, but anyway, here we go.

Stunning view from Pavilhão de Portugal

I arrived at the venue, which is really beautifully located with a breathtaking view, around 9:15 in the morning. A little later, the arena opened for the press and fans for the first time. So, I grabbed a seat at the press area, and began to note my thoughts and impressions:

My personal highlights were clearly Albania and Austria. Sure, both of them were in my personal top 5 already, but they both work really well each in their own way: While I think Albania could have gone for a darker stage, Eugent’s vocal performance is so outstanding that the song gets sold no matter what. Qualification becomes a bit more likely for Albania now, but still, their start position remains a problem. Austria on the other side impresses with a gorgeous complete package. Wow. Winner? I still think it would have been better if he had a handheld microphone. He actually used one at one point during today’s rehearsals, but either they discarded my idea again or it was just a temporary substitute mic for whatever reason.

Speaking of which, there were quite some technical problems at the rehearsals, including Iceland singing with the wrong microphones. This and most other hiccups were, however, parts of a general mess that was originally caused by Iceland’s delayed arrival to the venue, and the slot swap with Albania as a result. Don’t blame Ari though, he’s adorable – and unlike the fashion disaster, this was not their choice. No, it’s a bit more serious, as the reason for their delay was a traffic jam caused by a car accident.

Lovely Lithuania doesn’t have the most rewarding staging for the viewer in the hall, but the camera captures the feel of the song very well. It’s the other way round for Israel. While it is fun, and will totally rock Altice Arena, and it is quite pushing Lithuania aside, the complete package somehow doesn’t work on screen. I think the strict shapes of the props swallow Netta and take a lot of dynamics and flow out of the performance. As a whole, it’s not the ideal execution of the big fan favourite, and if you haven’t been a fan of the song so far, you won’t become one based on the live performance. It’s certainly not bad, it’s still a strong one, but winner? Not so sure.

Pushing Lithuania aside: Netta from Isarel (photo: Andres Putting, eurovision.tv)

On the other hand, if you were not a fan of Belgium‘s song before, you might become one based on what I saw in the arena today. Sennek performs this one really well, and I had been a bit afraid she wouldn’t be able to sell the song as well as she apparently does. Great performance, though her look is a bit questionable. Also, the beginning is a bit odd, and not in a good way. First you only see her eyes, before Sennek gets revealed to the viewer in full, but the way it’s done is rather weird and makes me shrug.

The other country beginning with Bel? Belarus! Oh my god. Cheesy ad nauseam. While I love the song, and Alekseev performs it very well, this staging concept is the creepiest, weirdest thing we’ve seen since the Russian piano woman in 2006. Expect a lot of red on your screen.

Mikolas from the Czech Republic was obviously playing it safe with his back injury, so he didn’t move a lot, but decided to run in the last run-through (no pun intended). He still has a few days to recover, and we hope he will be able to show us his moves on Tuesday!

After I was told that it’s not allowed to take photos from the press area, I decided to skip Estonia (which was vocally flawless as I still could hear), and instead achieve some clarity about the situation. It turned out that nobody from the staff could provide clear information that felt trustworthy enough, and since my laptop doesn’t run on battery for a long enough time period, I ditched my plans and decided to not cover all the songs. Eventually I went back to the arena, just to watch a bit more, type some notes into my phone, and leave the arena after a very good Greek rehearsal.

Altice Arena in half glory

And at the end of my first full day here, Lisbon begins to feel really nice. I haven’t seen much of the city yet, as I was at the venue and in the subway the whole time so far, but the few metres between the subway station and my hotel already suggested a very good, bright and lightweight feel about this city.

So, under the line, this day wasn’t only a rehearsal day for the artists, it was also a lesson in flexibility for me. You’ll get the result now and in the upcoming days, as escgo!’s coverage will go very freestyle this year. I am really sorry that we can’t cover the rehearsals of each country in detail this time, but we’re just one F-accredited person on-site, and the information we get about permissions and restrictions isn’t particularly well rather poorly communicated and is often contradictory. But there we are – I’ll adapt to the situation and try to make the best out of what’s possible, both for myself and for our coverage on escgo!

So I’ll do what I can – after all, we are who we are, and who we are is who we wanna be. Let our freestyle Eurovision coverage continue!

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Yep, it’s day 4 so I’m a bit late – but I’m finally in Lisbon!

“Equinox” was the first Eurovision-related thing I experienced on my trip. Not a common framework, but written on the tyres of a bicycle on my train to Berlin-Schönefeld AIrport.

Irrelevant, you say? Then you don’t know anything about Eurovision! Eurovision is everywhere. You just have to know to look for it.

My plane took off towards the land of “Baunilha e chocolate” around 11:30 CET, as I was listening to “Mensageira” (from this year’s FdC) – and at that moment I couldn’t stop laughing. I laughed so deeply, the couple next to me must have thought something was wrong with me. Why? Because I was flying to Eurovision. To Lisbon. To Portugal. Because THIS COUNTRY WON THE CONTEST. Realisation, part #458.

So, after a few hours of flight and a quite chaotic trip on the airport bus, I arrived at my hotel in the late afternoon, where I had a few minutes to relax (I had a rather sleepless night back in my Berlin bed). Then I took a quick trip to the press centre, or the fan centre, because I’m an “F” this year and things aren’t as convenient as usual. This means we can’t provide the content that we could if we had 1. a table, and 2. electricity (both tend to be quite useful), but that’s not available to us this year. Still, we will adapt to the situation and make the best out of it! Whether I will manage, time will tell. However, the view from the press/fans area is quite spectacular:

Now I will check out today’s rehearsal videos, because I missed everything today (except the end of Montenegro’s and the start of Slovenia’s press conference), and I’ll have an early night because the last days were intense and sleepless with preparations, and in my inner CET-clock it’s already past midnight too.

My 7th Eurovision adventure has officially begun, and I hope to be able to blog the rehearsals from the arena tomorrow. And if that’s technically not possible, I’ll find something else to do and to share both here and across our social channels on Facebook, Twitter and Instagram – we’ll keep you updated!

For now:

Gute Nacht, boa noite, good night from Lisbon!

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